We were never here

We were never here

We were never here

  For 18 years, the band MOTHER already exists, and she has her music, which oscillates between the brutal harshness and very quiet and fleeting moments of silence, a small but fine Fanschar earned critical praise and en masse. For the big breakthrough, however, there has never been served in full, because, unlike bands like Rammstein, whose music sometimes sounds similar to MOTHER’s no fixed, stereotypical role model, but a play with identities, roles and poses that are so ambiguous as life itself And while they themselves do not remain as many Brachialrocker stuck in a dull-brown bubbling underground, but have always settled politically inconvenient and old-fashioned way, just to “left” of the new center, whose mediocrity that characterized the Berlin Republic. Such complex game does not look like the music, simple formulas and clear identities can be just still better marketing.

The career of MOTHER began after a brief audition with the band camp sex in the Wall fell in 1989, when the band released their debut album I am ashamed to have thought that other people hurt in their dignity The label released the deadly Doris. The record, however, was little noticed, only in the wake of the Hamburg School earned himself some kind of recognition MOTHER and eventually became the “unpredictable all Diskurspopbands” (NZZ). Launched in 1994 released album chief music has been kept rather quiet ballads with his most successful publication, while two years later sparked disc released with the name Nazionali a small pseudo-scandal, since one of the name as a political statement understood. Meant, however, was the name of an Italian brand of cigarettes. After the break with its own management, it was quiet from 1997 to MOTHER, published the first four years later, a new record) with the clever title Europe against America, (#. Lastly in 2004 than previously followed the album’s last work ) CD of the Month (#. Antonia Ganz, the musicians of MOTHER on tour through Germany and Switzerland has attended, has asked companions, stories and strange Biographies traced from the Underground and then spread as a documentation that is not only a musical phenomenon, but the entire life of the subculture, and thus describes a segment of the overall society in the last 18 years. The speakers included, inter alia, Schorsch Kamerun, the pop discourse Diederich Diedrichsen Pope and the “scandal filmmakers” Jörg Buttgereit (Nekromantik,) Schramm. Lonelier and more significant highlight of the film is the (real, not projected) exit of guitarist Frank Behnke front of the cameras – typically MOTHER, one might think. The result is a film that it goes through very different voices and perspectives to bring the essence of a band like MOTHER to the point without getting lost in hero worship platter – which is good but eh MOTHER little. That’s underground, baby!

Title:

We were never here Country of production: Germany Year of production: 2005 Length: 97 (Min) Distribution : Salzgeber

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