Bedways

Bedways

           Bedways
               Genre: Drama, Erotic
               Actor, film, seduction, Berlinale 2010, test shots
  Germany is indeed not exactly known for sensual erotic movies turn. Generally speaking, the German erotic film usually still quite brittle and dull. With Bedways now an attempt has been launched to change that. After films like 9 Songs and Intimacy the door for “art-house pornography have thrust”, now the German filmmaker RP Kahl follows with a more experimental variant of the theme. In a completely run-down apartment in Berlin will meet Marie, Hans and Nina to sample recordings. Nina wants to make a film with real sex and emotion, but without a script. One idea she has not, so she is hoping for inspiration from Hans, and her ex-lover Marie, the young actress. From the beginning it simmers between the three. Not only the expected of all erotic explosion is in full swing. Other emotions such as grief, jealousy and the need for love lined up in the cold days in an apartment with one. Thus, from the images an emotional mini cosmos in the can all fall one by one. RP Kahl Low-budget film is a daring project. A small chamber piece with an experimental narrative style and three actors who gradually expose the body and soul. The aesthetics, which is developing here between the camera and acting is unpretentious and beautiful at the same time, even if one must get used to the Supercooled the entire film only. Sometimes the dialogues seem a little complacent, partly crude, but the film can it gradually build up the erotic tension. RP Kahl that the sexual climax equal to the beginning of the film sets, Bedways are even more interesting. He takes the voyeurism now the wind from the sails and move the interest on small interpersonal relationships from which arise desire and sexuality as well. For all the intimacy, the camera is always a bit of distance to the event. In a clean, almost sterile digital optics like watching them from surprising points of view the doings of the protagonists. She looks amazing unvoyeuristisch, almost documentary neutral. How much Bedways plays with mediumship and their limits shows, especially in the last scene. Hans Nina and masturbate in front of each other. They are separated in two different rooms, see each other only through monitors. You masturbate in front of the camera, into the technology and far removed from humanity, but they are looking all the time. The exposure takes place at a distance and finally as their self-chosen limits are lifted and the two find each other, shake off the camera. It is no longer necessary. (Beatrice Behn)
  Title: Bedways Country of production: , Germany Year of Production: 2010 Length: 76 (Min.) Distribution: (# ) Reverse Angle

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